In the Galleries

The works in this exhibition, ranging from the 1950s to the present, embody various ways artists have grappled with the concept of blackness. Rather than narrowly defining a genre or mode of expression, the works of art selected by guest curator and faculty fellow Nijah Cunningham speak to alternate ways of seeing, feeling, living, and being together in the world. Together, they meditate on the word “hold” as a metaphor for thinking about the diverse expressive forms that gather under the banner of black art.

This exhibition spotlights the work of Clarence White (1871-1925), a founding member of the Photo-Secession, a gifted photographer celebrated for his beautiful scenes of quiet domesticity and outdoor idylls, and an influential teacher and photographic mentor. The first retrospective devoted to the photographer in over a generation, this exhibition and accompanying publication will survey White's career from his beginnings in 1895 in Ohio to his death in Mexico in 1925 and, importantly, will locate his work within the contexts of the international Arts and Crafts movement, the development of photographic magazine illustration and advertising, and the redefinition of childhood and the domestic sphere.

Drawing on the Clarence H. White Archives at the Princeton University Art Museum, and thus uniquely suited to development by Princeton, as well as loans from other public and private collections, Clarence White and His World will juxtapose White's skillfully posed portraits and studies of his family and friends with those of his colleagues, such as Paul Haviland, Gertrude Käsebier, and F. Holland Day, and will also be the first exhibition to explore a little known series of nudes and figure studies done with Alfred Stieglitz in 1907. White's two decades as a teacher will be highlighted by the work of artists who studied with him and by extensive documentation of his schools in Maine, Connecticut, and Manhattan. Completing White's visual world, the exhibition will also feature a selection of paintings and prints by William Merritt Chase, Thomas Dewing, Max Weber, Edmund Tarbell, John Alexander, and others. A fully illustrated catalogue will accompany the exhibition.

 

Other Exhibitions

Family Programming

Art for Families
Saturdays, 10:30 a.m.–1 p.m.
 

Join us on Saturday mornings for family fun in the Art Museum. Drop in anytime between 10:30 a.m. and 1 p.m. and enjoy an engaging gallery activity followed by a related art project. Each week has a different theme. Come for fifteen minutes or two hours—whatever your schedule allows! All ages are welcome; no tickets or reservations are needed.